Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Dante Gabriel Rossetti 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
3617		A Christmas Carol	1857-58 Watercolor and gouache on panel 13 1/8 x 11 1/4 in Fogg Art Museum, Cambridge, Massachusetts
24420		A Christmas Carol (mk28)	1857-8 Watercolour and Gouache on paper,Mounted on panel 34.3 x 29.7 cm Fogg Museum of Art,Harvard University,Cambridge, MA
3579		A Sea Spell	1877 Fogg Art Museum, Harvard University
3578		A Vision of Fiammetta	1878 57 1/2 x 35 in (146 x 89 cm) Private collection
68573		A Vision of Fiammetta	Technique Oil on canvas Dimensions 146 ?? 90 cm
25988		Arthur's Tomb (mk46)	1854 Watercolour 22.9x36.8cm London,British Museum
24413		Arthur's Tomb: The Last Meeting of Launcelort and Guinevere (mk28)	1854 Watercolour on paper 23.5 x 36.8 cm British Museum London
53432		Arthur-s Tomb	mk231 1860 Oil on canvas 23.4x36.8cm
3602		Astarte Syriaca	1877 Oil on canvas 72 x 42 in Manchester City Art Gallery
22259		Astarte Syriaca (mk19)	1877 Oil on canvas,183 x 107 cm City Art Gallery,Manchester
24450		Astarte Syriaca (mk28)	1877 Oil on canvas 183 x 107 cm City Art Galleries,Manchester
3604		Aurea Catena	c. 1868 Graphite and colored chalks on blue wove paper 30 3/8 x 24 5/8 in Fogg Art Museum, Cambridge, Massachusetts
3584		Beata Beatrix	1872 34 x 26 in Tate Gallery, London
27675		Beata Beatrix	mk58 C.1864-70 oil on canvas 86.4x66cm Tate,London
28267		Beata Beatrix	c 1864-70 Oil on canvas 86.4 x 66 cm (34 x 26in) Tate Gallery London (mk63)
40728		Beata Beatrix	mk156 c.1864-70 Oil on canvas 86.4x66cm
75497		Beata Beatrix	Beata Beatrix, 1864-1870. Tate, London. cjr
77361		Beata Beatrix	1864-1870. Tate, London. Date 1864-1870 cyf
24432		Beata Beatrix (mk28)	1864-70 Oil on canvas 86 x 66 cm Tate Gallery London
24414		Beatrice Meeting Dante at a Marriage Feast,Denies him her Salutation (mk28)	1855 Watercolour on paper 34 x 42 cm Ashmolean Museum Oxford
28246		Bocca Baciata	1859 Oil on wood 33.7 x 30.5 cm (13 1/4 x 12) Museum of Fine Arts,Boston (mk63)
24424		Bocca Baciata (mk28)	1859 Oil on panel 32.2 x 27.1 cm Museum of Fine Arts Boston MA
98191		cropped version of Veronica Veronese	Oil on canvas 43 x 35 inches Samuel and Mary R. Bancroft Memorial, 1935 DAM 1935-28 The model is Alexa Wilding at Delaware Art Museum Date 1872(1872) cyf
53887		Dagdrommen	mk234 1880 160x92cm
3586		Dante's Dream at the Time of the Death of Beatrice	1871 Walker Art Gallery,Liverpool
24444		Dante's Dream at the Time of the Death of Beatrice (mk28)	1871 Oil on canvas 211 x 317.5 cm Walker Art Gallery,Liverpool
24415		Dante's Vision of Rachel and Leah (mk28)	1855 Watercolour on paper 35.5 x 31.5 cm Tate Gallery London
95054		Dantes Dream	1871 Type Oil on canvas Dimensions 216 cm x 312.4 cm cyf
24425		Dantis Amor (mk28)	1860 Oil on panel 74.9 x 81.3 cm Tate Gallery London
3611		Ecce Ancilla Domini	1849-50 28 1/8 x 16 1/2 in Tate Gallery, London
28234		Ecce Ancilla Domini	1849-50 Oil on canvas 72.6 x 41.9cm (28 5/8 x 16 1/2 in) Tate Gallery London (mk63)
53414		Ecce Ancilla Domini	mk231 Oil on canvas 1849-50 72.4x41.9cm
24403		Ecce Ancilla Domini (mk28)	THe Annunciation 1849/50 Oil on canvas 73 x 42 cm London Tate Gallery
24409		Ecce Ancilla Domini (The Annunciation) (mk28)	1850 Oil on cnavas 73 x 42 cm Tate Gallery London
42059		Ecce Ancilla Domini i	mk166 1849-1853 Galeria Tate, London
85821		Ecce Ancilla Domini!	1850(1850) Medium Oil on canvas Dimensions 73 x 41.9 cm (28.7 x 16.5 in) cyf
3596		Fair Rosamund	1861
24426		Fair Rosamund (mk28)	1861 Oil on canvas 52 x 42 cm National Museum of Wales,Cardiff
3619		Fazio's Mistress	1863 17 x 15 in Tate Gallery, London
3609		Found	1854 36 x 31 1/2 in Delaware Art Museum, Wilmington
28015		Found	1854- Oil on canvas 91.4 x 80 cm (36 x 31 1/2in) Delaware Art Museum (mk63)
24412		Found (mk28)	Begun 1854 Oil on canvas 91.5 x 80 cm Samuel and Mary R Bancroft Memorial Delaware Art Museum Wilmington DE
24429		Girl at a Lattice (mk28)	1862 oil on canvas 30.5 x 27 cm Fitzwilliam Museum University of Cambridge
40700		Girlhood of Mary Virgin	mk156 1849 Oil on canvas 86x66cm
28247		Helen of Troy	1863 Oil on canvas 32.8 x 27.2 cm (12 7/8 x 10 3/4 in) Kunsthalle Hamburg (mk63)
24430		Helen of Troy (mk28)	1863 Oil on panel 31 x 27 cm Hamburger Kunsthalle
3589		How Sir Galahad, Sir Boys and Sir Percival were fed with the Sanc Grael ; But Sir Percival's Sister	1864
24431		How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28)	1864 Watercolour on paper 29.2 x 41.9 cm Tate Gallery London
28036		How They Met Themselves	c 1850-60 Bodycolour 33.9 x 27.3 cm (13 3/8 x 10 3/4 in) Fitzwilliam Museum,Cambridge (mk63)
3613		Il Ramoscello	1865 Fogg Art Museum, Harvard University
93360		Jane Morris	1868(1868) Medium oil on canvas cjr
24439		John Parsons Jane Morris (mk28)	1865 Photograph Victoria and Albert Museum,London
3588		Joli Coeur	1867
3592		King Rene's Honeymoon
3580		La Bella Mano	1875 Delaware Art Museum
24448		La Bella Mano (mk28)	1875 Oil on canvas 157 x 107 cm Samuel and Mary R Bancroft Memorial,Delaware Art Museum,Wilmington DE
24442		La Donna della Fiamma (mk28)	1870 Chalk on paper 100.5 x 75 cm City Art Galleries Manchester
3577		La Donna Della Finestra	1879 39 3/4 x 29 1/4 in Fogg Art Museum, Cambridge, Massachusetts
24451		La Donna della Finestra (mk28)	1878 Oil on canvas 100 x 74 cm Fogg Museum of Art,Harvard University,Cambridge MA
3583		La Ghirlandata	1873 Guildhall Art Gallery, London
27892		La Ghirlandate	1873 Oil on canvas 115.6 x 87.6 cm (45 1/2 x 34 1/2 in) Guildhall Art Gallery,London (mk63)
24446		La Ghirlandate (mk28)	1873 Oil on canvas 115.5 x 88 cm Guildhall Art Gallery,Corporation of London
3587		La Pia de' Tolomei
24440		La Piia de'Tolomei (mk28)	c 1868-80 Oil on canvas 105.8 x 120.6 cm Spencer Museum of Art,University of Kansas,Lawrence,KS
98230		La viuda romana	1874(1874) Medium oil on canvas Dimensions 104.8 x 93.3 cm cyf
3616		Lady Lilith	1868 37 1/2 x 32 in Delaware Art Museum, Wilmington
3615		Mariana	1868-70 Aberdeen Art Gallery and Museum
24441		Mariana (mk28)	1870 Oil on canvas 109 x 89 cm Aberdeen Art Gallery
3595		Monna Vanna	1866 35 x 34 in Tate Gallery, London
53455		Monna Vanna	mk231 1866 Oil on canvas 35x34in
3594		Pandora	1869
3598		Paolo and Francesca da Rimini	1855
95044		Pia de Tolomei	1868 Type oil on canvas Dimensions 105.4 cm x 120.6 cm cyf
3606		Portrait of Algernon Swinburne	1861
3599		Portrait of Elizabeth Siddal	1854
24410		Portrait of Elizabeth Siddal (mk28)	1850-65 Watercolour on paper 33 x 24 cm Fitzwilliam Museum University of Cambridge
24428		Portrait of Maria Leathart (mk28)	1862 Oil on panel 33 x 30 cm Family collection
3582		Proserpine	1874 46 x 22 in Tate Gallery, London
53457		Proserpine	mk231 1874 oil on canvas 126.4
56304		proserpine	mk247 1882,oil on canvas,30.5x14.75 in,77.5x37.5 cm,birmingham museum and art gallery,uk
24405		Proserpine (mk28)	1874 Oil on canvas 127 x 61 cm London Tate Gallery
3601		Regina Cordium	1866
28244		Regina Cordium	1860 Oil on canvas 25.4 x 20.3 cm (10 x 8in) Johannesburg Art Gallery (mk63)
24436		Regina Cordium (mk28)	1866 Oil on canvas 59.7 x 49.5 cm Art Gallery and Museum,Kelvingrove,Glasgow
24438		Reverie (mk28)	1868 Chalk on paper 84 x 71 cm Ashmolean Museum Oxford
87294		Roman Widow	1874(1874) Medium Oil on canvas Dimensions 103.7 x 91.2 cm (40.8 x 35.9 in) cyf
34943		Rosa Triplex	mk98 1874 Red chalk with touches of black and white on paper 51x73.5
3590		Saint Catherine	1857
3591		Saint Catherine	1857
3581		Sancta Lilias	1874 Tate Gallery, London
28172		Scenes from Malory's Morte d'Arthur	1857 fresco Library Oxford Union Society
24407		Self-Portrait (mk28)	1847 Pencil heightened with white on paper 19 x 19.6 cm National Portrait Gallery London
24437		Sibylla Palmifera (mk28)	1866-70 Oil on canvas 94 x 82.5 cm Lady Lever Art Gallery,port Sunlight
53453		Sir Bors and Sir Percival were Fed with the Sanct Grael	mk231 1864 29.2x41.9cm
24423		Sir Galahad at the Ruined Chapel (mk28)	1859 Watercolour and bodycolour on paper 29.1 x 34.5 cm Birmingham Museum and Art Gallery
24419		St Catherine (mk28)	1857 Oil on canvas 34.3 x 24.1 cm Tate Gallery London
3620		St. George and the Princess Sabra	1862 Watercolor on paper 20 5/8 x 12 1/8 in (52.4 x 30.8 cm) Tate Gallery, London
24434		Study for Venus Verticordia (mk28)	c 1863 Chalk on paper 77.5 x 62 cm Faringdon Collection Trust,Buscot Park Oxfordshire
51694		The Annunciation	nn09 1850 Oil on canvas mounted on wood 72.6x41.3cm
88320		The Annunciation	1849(1849) Medium Oil on canvas cyf

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Dante Gabriel Rossetti

English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.

All the Alma Tadema's Oil Paintings

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